Lighting Design for Corporate Events: Looks, Plots, and Effective Client Communication

Discover how professional lighting design for corporate events elevates your event. Learn to create looks, interpret plots, and communicate your vision.

This article demystifies the technical process of lighting design for corporate events, translating it into accessible language for marketing directors, event managers, and clients. The focus is on aligning the lighting proposal with business objectives, demonstrating how a well-executed lighting strategy can improve brand perception, increase audience engagement, and optimize return on investment (ROI). Methodologies, auditable processes, and case studies will be presented, covering everything from the initial briefing to final execution. We will address key KPIs such as the event’s Net Promoter Score (NPS), budget deviation (less than 5%), energy savings, and improved message retention, providing the tools to evaluate and demand tangible results in any corporate stage lighting design project.

Introduction

In the competitive world of corporate events, every detail counts. The difference between a memorable event and a forgettable one often lies in the atmosphere, the emotion, and the clarity of the message. This is where sophisticated lighting design for corporate stages ceases to be a technical expense and becomes a powerful strategic communication tool. Lighting design is not simply about “putting up lights”; it’s about sculpting the space, guiding the audience’s attention, reinforcing brand identity, and creating the right emotional environment so that the main message resonates. This article is designed to bridge the gap between the technical complexity of lighting designers and the strategic needs of clients, providing a framework for effective collaboration and ensuring that lighting investments translate into measurable results aligned with business objectives. Throughout these sections, we will explore a comprehensive methodology that encompasses everything from conceptualizing visual “looks” that capture the essence of a brand to interpreting plots or technical drawings that guarantee flawless execution. Success will be measured through a set of well-defined Key Performance Indicators (KPIs): improved brand perception (measured by post-event surveys), increased social media engagement rate, budget optimization with deviations of less than 5%, and strict adherence to production deadlines. Our goal is to empower you to engage in informed dialogue, make sound decisions, and maximize the impact of your next corporate event.

Corporate stage with professional lighting and LED screens — Dynamic and well-designed lighting is essential to capture attention and reinforce the brand message at a high-impact corporate event.

Vision, values, and proposal

Focus on results and measurement

Our vision goes beyond simply providing lighting equipment and services. We aspire to be strategic partners who transform light into a powerful communication asset. We believe that every choice, from color temperature to beam intensity, should have a purpose and be aligned with the client’s objectives. Our approach is based on the Pareto principle (80/20): we identify the 20% of lighting interventions that will generate 80% of the desired impact, thus optimizing budget and resources. We adhere to international safety and sustainability standards, such as ISO 20121 for sustainable event management, guaranteeing not only a visual spectacle but also a responsible and safe production. The value proposition is centered on three pillars: purposeful creativity, technical reliability, and complete transparency in communication.

Translation of Objectives: We translate business goals (e.g., “project innovation”) into concrete lighting strategies (e.g., use of robotic lights with fluid movements and cool colors).
Guaranteed Visual Quality: We prioritize the use of luminaires with a high Color Rendering Index (CRI > 90) to ensure that brand colors and skin tones appear natural and vibrant, especially for video broadcasts.
Customer-Centric Decision Matrix: We present options not in terms of “what equipment to use,” but rather “what atmosphere to create.” For example: Option A (Elegant and Subtle) vs. Option B (Dynamic and Energy-Efficient), each with its breakdown of costs and expected visual impact.
Sustainability as Standard: We implement the use of energy-efficient LED technology by default, reducing the event’s carbon footprint by up to 75% compared to conventional technologies, resulting in energy and logistical savings (lower power and climate control requirements).

Services, Profiles, and Performance

Portfolio and Professional Profiles

We offer a full range of services to cover all phases of lighting design for corporate events. Our team is composed of specialists with defined roles to guarantee excellence at every stage. Services include:

Consulting and Conceptual Design: Creative workshops with the client to define the visual narrative. Creation of mood boards and lighting storyboards.
3D Visualization and Pre-production: Modeling of the space in software such as Vectorworks Spotlight or Capture so the client can see a realistic simulation of the final result before setup.
Technical Design and Planimetry (Plots): Creation of detailed plans specifying the location, type, focus, and direction of each light fixture.
Programming and Live Operation: Design of cues and sequences on high-end consoles (such as GrandMA or Avolites) and operation during the event for seamless execution.
Comprehensive Project Management: Coordination with other departments (sound, video, set design) and suppliers for perfect integration.

The key profiles on our team are the Lighting Designer (LD), who is The creative visionary and the client’s main point of contact; the Electrical Manager, responsible for the safe and efficient implementation of the design; and the Programmer/Operator, who translates the LD’s vision into executable commands on the console. Operational Process Phase 1: Briefing and Discovery (1 week): Initial meeting to understand objectives, budget, brand identity, and site limitations. KPI: Client approval of the Scope of Work (SOW) document. Phase 2: Conceptual Design (1-2 weeks): Presentation of mood board and 2-3 initial concepts. KPI: Selection of a design approach in fewer than two rounds of review. Phase 3: Technical Design and Budget (1 week): Development of the preliminary plot and detailed budget. KPI: Budget approval with a maximum deviation of 10% from the initial estimate. Phase 4: Pre-visualization and Adjustments (1 week): 3D visualization session with the client to validate key looks. KPI: Approval of 95% of the programmed cues before setup. Phase 5: Setup and Rehearsals (2-4 days): Physical installation of equipment, on-site setup, and final programming. KPI: Zero security incidents and 100% system operational 24 hours before the event begins. Phase 6: Execution and Teardown (Event duration + 1 day): Live operation and efficient teardown. KPI: Net Promoter Score (NPS) of the event greater than 50. Phase 7: Reporting and Follow-up (1 week post-event): Delivery of a performance report, KPI analysis, and satisfaction survey. KPI: Customer satisfaction rate ≥ 9/10.

Tables and Examples

Use of LED pixel-mapping lines, gobos with geometric patterns, cool colors (blues, cyans), and moving head movements synchronized with video.25% increase in online engagement during the event. Brand perception as “innovative” and “industry leader.””We need the speakers to be perfectly visible on camera and for the atmosphere to be professional.”Attendee satisfaction survey on visibility and clarity; video recording quality.Three-point front lighting (key, fill, back) with high CRI (>95) projectors at 5000K. Subtle background color wash using corporate colors.NPS > 60. 15% reduction in video post-production costs due to the elimination of extensive color correction.”It’s an awards gala; we’re aiming for an atmosphere of celebration, elegance, and emotion.”Qualitative employee feedback; Internal video summary viewership rate.Architectural uplighting in warm tones (amber, gold), beams for the award winners’ entrance, and dramatic light stings for the announcements.10% improvement in the Employee Engagement Index in the quarterly survey.

Client Objective	Indicators (KPIs)	Specific Lighting Actions	Expected Result
“We want the stage to look modern and technological for a product launch.”	Number of photos shared on social media with #TechEvent; Mentions in specialized press.

Representation, campaigns, and/or production

Professional development and management

Executing a corporate lighting design is a high-precision project management exercise. Our role goes beyond design; we act as production managers for everything related to lighting, ensuring seamless integration and minimizing risks. This involves meticulous logistical planning, from contracting and verifying equipment suppliers to managing the necessary permits for complex trussing structures. We develop a detailed production schedule that aligns with the event’s master plan, defining critical milestones and dependencies with other departments such as video, sound, and set design. Proactive and centralized communication is key to avoiding surprises and ensuring that all teams work in a coordinated manner. Equipment Contingency Plan: We maintain a database of alternative suppliers. For each critical design component (e.g., the main console), a backup plan is defined, either with an on-site backup team (additional cost) or with a local supplier capable of responding in under 2 hours.

Technical Documentation Checklist: We verify that all documentation is in order before assembly: equipment data sheets, load certificates for motors and trusses, and electrical distribution plans validated by a certified electrician.
Interdepartmental Coordination: We hold weekly pre-production meetings with the heads of the other technical areas. A critical point is coordinating the positions of the equipment to avoid unwanted shadows on the video projections or interference with the speakers.
Risk Management Plan: We identify and assess potential risks (e.g., delays in material delivery, venue power outages, last-minute script changes) and define mitigation actions for each, reducing the probability of impact by more than 80%.
This rigorous workflow, which includes comprehensive safety checks, minimizes technical risks and ensures a smooth and safe execution of the event.

Content and/or media that convert

Messages, formats, and conversions In the context of an event, lighting is not just a medium: it is content. Every “look” or lighting state is a message that influences the audience’s perception and emotions. Good corporate stage lighting design creates a visual narrative that accompanies and enhances the main content. “Conversion” in this area is measured in terms of attention, message retention, and desired audience action (networking, participation, etc.). For example, during attendees’ arrival, dynamic and colorful lighting creates anticipation. During a keynote address, the light focuses entirely on the speaker, eliminating distractions. During coffee breaks, warmer, more general lighting encourages conversation. The goal is to design a “light journey” for the attendee. Phase 1: Agenda Mapping. The design team breaks down the event agenda into “key moments” (e.g., opening, CEO presentation, product demo, closing). The Lighting Designer is responsible for this phase. Phase 2: Assigning Emotional Objectives. Each moment is assigned an emotional objective (e.g., “energy,” “confidence,” “celebration”). The Lighting Designer is responsible for this phase in collaboration with the Client. Phase 3: Creating the “Look” Palette. A specific “look” is designed for each moment, defining colors, intensities, textures, and movement. A “lighting style guide” is created. Responsible: Lighting Designer. Phase 4: Programming and Sequencing. The programmer translates the “looks” into technical cues on the console, creating smooth and effective transitions between them. Responsible: Lighting Programmer. Phase 5: Rehearsal and Adjustment. A full rehearsal is conducted (ideally with the speakers) to adjust the timings and intensities based on the actual pace of the event. Responsible: The entire technical team. We conduct subtle A/B tests whenever possible. For example, at multi-day events, we can slightly vary the warmth of the lighting in the networking areas and measure, through observers or surveys, which environment generated the most interaction. This data, although qualitative, helps us refine our strategies for future events.

Training and employability

Demand-driven catalog

We believe in the professionalization of the sector and in the training of our clients and collaborators. Therefore, we offer a training catalog designed to meet the real needs of the corporate events market, for both technical and management profiles. Module 1: “Lighting Design for Event Managers”. An 8-hour intensive course designed for clients. It teaches how to define visual objectives, write an effective lighting brief, understand a basic technical plan, and evaluate a design proposal. Objective: To facilitate smoother and more productive communication. Module 2: “Introduction to Corporate Stage Lighting Design”. A 40-hour training course for event technicians who wish to specialize. It covers design principles, color psychology, types of luminaires, and basic design software such as WYSIWYG or Capture.

Module 3: “Advanced Programming of Consoles for Corporate Events”. A 20-hour hands-on workshop focused on the efficient programming of cues, effects, and timecode for corporate shows on GrandMA2/3 consoles.
Module 4: “Safety and Rigging in Event Lighting”. A 16-hour certification course on load calculations, safety regulations, safe rigging techniques, and rescue plans. Essential for team leaders.

Methodology

Our training methodology is eminently practical (“learning by doing”). Assessments are conducted using rubrics that measure specific competencies, and all courses include practical projects based on real-world cases. We maintain an active job placement service, connecting top students with manufacturing companies in the sector. We expect 80% of students in the technical modules to secure skilled employment or career advancement within six months of completing the course.

Operational Processes and Quality Standards

From Request to Execution

An exceptional result stems from a rigorous and standardized process. Our operational pipeline guarantees quality and consistency across all projects, regardless of scale.

1. Diagnosis (Sales Phase): Receiving the request, initial qualification meeting to understand the basic needs. Deliverable: “Needs Summary”. Acceptance Criteria: Client confirms that the summary reflects their vision.Proposal (Conceptual Design Phase): Development of a detailed proposal including a mood board, concept description, budget estimate, and timeline. Deliverable: “Design and Budget Proposal.” Acceptance Criteria: Client’s signature on the proposal. Pre-production (Technical Design Phase): Creation of final plots, equipment lists, logistics plans, and coordination with the venue and other suppliers. Deliverable: “Technical Production Folder.” Acceptance Criteria: Validation of the plans by the client’s and venue’s technical director. Execution (Setup and Show Phase): Setup, programming, rehearsals, and live operation. Deliverable: The event itself. Acceptance Criteria: Execution without critical technical failures and adherence to the approved lighting script. Closure (Post-Event Phase): Dismantling, returns management, feedback meeting with the client, and delivery of the final KPI report. Deliverable: “Closure and Satisfaction Report.” Acceptance Criteria: Final approval and payment of the final invoice. Quality Control Quality control is a continuous process involving the entire team and is governed by clear Service Level Agreements (SLAs). Quality Roles: The Lighting Designer is ultimately responsible for artistic quality. The Head Electrician is responsible for technical quality and safety. The Project Manager oversees adherence to deadlines and budget. Incident Escalation: Any problem is classified by severity level. Level 1 (minor): resolved by the on-site technician. Level 2 (moderate): escalated to the Electrical Manager. Level 3 (critical): immediately reported to the Project Manager and the client with an action plan. Acceptance Criteria: Each deliverable has clear criteria. For example, a plot is not considered accepted until it includes a legend, channel numbering, power distribution, and load weights. Key SLAs: Response time to a change request: < 4 hours. Availability of the on-call technical team during the event: 100%. Deviation between the preview look and the final result: < 10%.

AssemblyTrussing structure assembled. Equipment hung and wired.Rigging safety checklist completed. Power-up test of all equipment passed. DMX patch 100% verified.Risk: Assembly delays affecting rehearsals. Mitigation: Assembly plan with a 20% contingency time allowance. Staffing 10% overstaffed.ShowShow performed according to script.Zero missed cues. Response time to unforeseen events < 5 minutes.Stable, flicker-free light intensity for cameras.Risk: Failure of critical equipment (e.g., console). Mitigation: Identical backup console in “tracking” mode operating in parallel.DismantlingCleaned and returned premises in their original condition. Equipment packaged.Exit checklist signed by the person in charge of the premises. Equipment damage report <1%.Risk: Damage to the premises or loss of equipment. Mitigation: Photographic record of the premises’ condition before and after. Inventory of materials at departure.

Phase	Key Deliverables	Quality Control Indicators	Risks and Mitigation
Pre-production	Lighting Plot, Channel Patch, Electrical Distribution Plan.	Cross-validation by two technicians. Compliance with venue regulations. Total power required < 90% of available capacity.	Risk: Equipment incompatibility with the venue. Mitigation: Mandatory site visit before finalizing the design.

Application Cases and Scenarios

Case 1: Global Smartphone Launch

A tech giant needed a futuristic, high-impact environment to unveil its new flagship device at a globally broadcast event. The goal was to generate excitement and reinforce an innovative brand image. The scope included the design of the main stage, a product demonstration area, and the venue’s architectural lighting. The timeframe was 8 weeks from the initial briefing to the day of the event, with a budget of €150,000. The corporate stage lighting design focused on integration with large-format LED screens. More than 200 beam and wash moving heads and 50 pixel-mapping LED bars were used to create dynamic visual effects synchronized via timecode with the video content. Custom gobos featuring the product logo were designed to be projected onto the audience at key moments. ROI was measured in Media Value, reaching an estimated €2.5 million thanks to the high visual quality of the images disseminated, with a 40% increase in social media interactions mentioning the event’s aesthetics compared to the previous year.

KPI	Target	Result	Deviation
Social Media Reach	+30% interactions	+42% interactions	+12 points
Tier 1 Media Mentions	≥ 15	22	+46.7%
Deviation Budgetary	<3%	1.8%	Within target
VIP Attendees NPS	>70	78	+8 points

Case 2: Annual Conference for the Financial Sector

A major investment firm organized its annual conference for 500 high-profile clients. The objective was to project an image of solidity, confidence, and clarity. The absolute priority was perfect visibility of the speakers and their presentations, both in the room and in the recording for later distribution. The budget was €45,000 and the execution time was 6 weeks. The lighting strategy was based on functionality and elegance. Impeccable front lighting was implemented using fresnel and lekos spotlights with a cri of 97, ensuring natural skin tones and eliminating harsh shadows. The color temperature was set at 4500k for a pleasant, neutral white. The stage backdrop was subtly bathed in the company’s corporate blue, while the logo was projected with a crisp gobo. The result was a professional and polished environment that facilitated concentration. The main kpi was the attendee satisfaction survey, which gasve a score of 9.8/10 to the “visibility and clarity of the stage,” and the video team reported a 30% reduction in Post-production time thanks to the quality of the original footage. Case 3: Internal Awards Gala of a multinational company a retail company wanted to transform its annual awards Gala from a formal event into a true celebration to motivate its 1,000 employees. The goal was to create an atmosphere of glamor, excitement, and recognition. with a budget of €30,000 and a four-week deadline, the design was inspired by major televised awards ceremonies. Extensive uplighting was used on the walls of the hall to bathe it in warm, golden colors, creating a welcoming and festive ambiance. The stage featured a catwalk for the award winners, flanked by moving beam lights that created spectacle aerial effects. Each award category was assigned a color and a lighting effect (“Sting”) that activated when the winner was announced, generating a powerful emotional impact. The post-event employee climate surveyed a 15-point increase in the “I feel valued by the company” indicator, a result directly attributed to the positive impact of the gala. Case 4: Trade show stand for an automotive brand a luxury car manufacturer needed 500 m² stand at an international motor show to stand out from the competition and attraction as many visitors as possible. The objective was twofold: to attract attention from a distance and, eleven inside, to focus it on the key features of the new models. Budget: €75,000. The lighting design was the centerpiece of the stand concept. A large circular truss structure was installed at 8 meters high, equipped with powerful moving heads that made slow and elegant movements, functioning like a lighthouse. At ground level, each vehicle was sculpted with light. Multiple trim projectors with a very precise focus were used to highlight specific design lines, rims or interior details, while the rest of the car was left in a subtle gloom. The lighting changed intensity and color in a 5 minute cycle to keep the interest. As a result, the stand registered 25% more visitors than the previous year and the average stay time increased from 8 to 12 minutes.

Step-by-step guides and templates

Guide 1: How to write an effective lighting brief (for customers)

Define the “why” of the event: Before you think of lights, describe your business goals. Is it a launch to generate sales? A conference to educate? A party to motivate? The lighting should serve this goal.
Describe your audience and the desired atmosphere: Who are the attendees? What do you want them to feel? Use adjectives: “serious and corporate”, “vibrant and energetic”, “elegant and exclusive”.
Provide a detailed schedule: It is not enough to say “Conference from 9 to 5”. Break down the agenda into segments: entry, welcome, presentation 1, coffee break, round table, etc. Each moment may require a different lighting environment.
Share your brand identity: Provide your visual identity manual. Primary and secondary colors, logos, and fonts are crucial. Is there any color that should be avoided?
Be transparent with the budget: Enter a budget range for the lighting item. This allows the designer to propose realistic and effective solutions, instead of designing in a vacuum.
Provide technical information about the venue: Provide the location plans (in .dwg or .pdf format if possible), the height of the roof, the location of the anchor points (rigging) and the available electrical capacity.
Reúna Referencias Visuales: Create a small moodboard with images of events that you like (and that you don’t like). A picture is worth a thousand words to convey a visual style.

Final checklist of the brief:

[ ] Defined business objectives.
[ ] Description of the audience and environment.
[ ] Detailed agenda by segments.
[ ] Attached brand identity manual.
[ ] Rango presupuestario especificado.
[ ] Plans and technical data of the enclosure attached.
[ ] Referencias visuales incluidas.

Guide 2: Safety Essential Checklist

Verification of loads and structures: Check that the total weight of the equipment hanging on each leg of truss does not exceed 75% of the maximum allowable load according to the manufacturer’s tables. Verify that the enclosure anchor points are certified and that their capacity is sufficient.
Inspection of lifting equipment: Visually check all engines, slings, shackles and carabiners before use. Discard any element that shows signs of wear, deformation or damage. Make sure that all safety shackles and carabiners are properly closed.
Safety Wiring: Install a steel safety cable on each suspended equipment. The cable must pass through the chassis of the equipment and surround the support structure, leaving as little slack as possible.
Safe electrical distribution: Plan the distribution of electrical charges to balance the phases. Always use wiring with the appropriate section for the load you are going to support. Make sure that all connections are weather protected if it is outdoors and that there are high sensitivity differentials in the main frames.
Delimitation of the work area: During assembly and disassembly, clearly delimit the work area under the suspended structures. Only helmet-equipped technical personnel (EPI) can remain in this area.
Pruebas Funcionales: Before termination of assembly, perform a complete test of the entire system. Turn on all equipment simultaneously for at least 15 minutes to verify that there are no electrical overloads and verify that all of them respond correctly to the control signals.

Guide 3: Interpreting a lighting plane (plot) for clients

Look for the legend (Legend/Key): It is the most important part. Here, each symbol used in the plane corresponds to a type of luminaire (eg, a circle with a cross can be an even focus, a rectangle with an arrow a moving head). The legend tells him “what is what”.
Understand scale and orientation: The plane is a view from above the stage and the enclosure. Look for a scale indication (e.g., 1:50) and an arrow indicating the north or position of the public to orient themselves.
Identify the structures (trussing): Thick or double lines usually represent the metal bars (trusses) from which the lights are hung. They usually have names like “Front Truss”, “Mid Truss” (Central) and “Back Truss” (Back).
Observe the information of each focus: Next to each luminaire symbol, you will find several numbers. These usually indicate: the DMX channel number (how it is controlled), the color (using a gelatin filter number or “Open White” if it is white light), and sometimes its function (“Key Light”, “Backlight”).
Do not obsess over the technical details: His goal is not to become a technician. Focus on the general questions: Are there lights pointing to all the important areas (lectures, presenters, logos)? Does the light distribution seem balanced? Does the number of teams seem reasonable for the size of the scenario and the budget?
Ask for a virtual walk: The best way to understand the plot is to ask your designer to guide you through the 3D visualization of the design. This translates the 2D plane into a visual experience that you will be able to understand and about which you can easily comment.

Internal and external resources (no links)

Recursos internos

Corporate client lighting briefing template
Catalog of customizable gobo designs
Lighting Style Guide for Sustainable Events (based on ISO 20121)
Pre-production checklist for event managers

Reference external resources

Safety regulations for temporary structures in events (UNE-EN 13814)
Guías de Buenas Prácticas de la Professional Lighting and Sound Association (PLASA)
Publications of the Institute of Sound, Communications and Visual Engineers (ISCVE)
Standards of lighting control protocols (ESTA – Entertainment Services and Technology Association)

Preguntas frecuentes

What is a “gobo” and what is it for?

A gobo is a small template (metal or glass) that is inserted into a cutout-type focus (Leko) or into a moving head to project an image or pattern. It is extremely useful in corporate events to project the company logo on a wall, floor or background of the stage, or to create textures (such as foliage, geometric patterns) that add depth and atmosphere to the space.

How much does lighting cost approximately for a day conference?

The cost varies greatly depending on the scale, the complexity and the place. However, as a reference, a basic package for a small stage (one lectern and two speakers) can start at around €2,500 – €5,000. An average production for a larger stage with several screens and speakers can range from €8,000 to €20,000. Large format product launches can exceed €50,000. The best practice is to assign between 10% and 20% of the total production budget to lighting and video.

Why do I need a lighting designer if the rental company already gives me the spotlights?

A rental company provides the equipment; A lighting designer provides the vision and experience. The designer translates your business goals into a consistent visual experience. It ensures that the correct equipment is used, in the correct position, with the right color and intensity, at the right time. It is the difference between having “light” and having “lighting”. A good design can make a modest budget look spectacular and avoid costly mistakes.

What is CRI and why is it important to my event?

CRI stands for “Colour Rendering Index”. It is a measure, on a scale of 0 to 100, of the ability of a light source to reproduce the colors of objects faithfully compared to a natural light source. For any event that is going to be recorded or photographed, a high CRI (above 90) is essential. It ensures that the skin tones of the speakers look natural and that the brand’s corporate colors are displayed with precision, preventing them from looking dull or with strange tones in the final video.

How can lighting make my event more sustainable?

The most effective strategy is the use of LED technology. LED luminaires consume up to 75-80% less power than conventional tungsten or discharge lights. This not only reduces the electric bill and the carbon footprint, but also generates less heat, reducing the need for air conditioning. In addition, a good design can achieve a great impact with less equipment, optimizing transport logistics and reducing associated emissions.

Conclusion and call to action

We have traveled the path that transforms the lighting of a mere technical requirement to a strategic pillar in the success of any corporate event. A Lighting design for corporate scenarios Well executed not only illuminates the speakers, but also illuminates the brand, captivates the audience and amplifies the message. By adopting a common, goal-focused, measurable language through clear KPIs—such as an increase in the NPS, a controlled budget deviation below 5%, and a tangible ROI in terms of media impact—the collaboration between clients and designers reaches a new level of efficiency. Investing in a professional design is an investment in the assistant’s experience and, ultimately, in achieving business goals. The next step is to apply these concepts to your next project. Stop buying lights and start investing in visual communication. We invite you to contact our specialists to analyze your needs and discover how a custom lighting design can raise the quality and impact of your next corporate event.

Glosario

Plot: The technical plan or planimetry that details the location, type, focus, color and control of each luminaire in a lighting design.
Look: A specific light state or environment designed for a particular moment of the event. A show consists of a sequence of different “looks”.
Wash: A type of luminaire or effect that produces a soft and diffuse light to cover a large area evenly, such as bathing the background of a stage in color.
Spot/Profile: A type of luminaire that produces a beam of light with defined and sharp edges. It is used to isolate and highlight a rapporteur or an object. Those of type “trim” or “leko” allow to shape the beam.
Gobo: A metal or glass template that is inserted into a spotlight to project a pattern or image, such as a logo.
DMX (Digital Multiplex): The industry standard communication protocol used to control luminaires and other special effects devices from a console.
Truss: The metal structure, usually made of aluminum, from which the lights and other equipment hang on the stage or the public.
CRI (Colour Rendering Index): Color rendering index. It measures the ability of a light to faithfully reproduce colors. A high value (90+) is crucial for video and photography.

Internal links

Click here👉 https://ca.esinev.education/diplomates/
Click here👉 https://ca.esinev.education/masters/

External links

Princeton University: https://www.princeton.edu
Massachusetts Institute of Technology (MIT): https://www.mit.edu
Harvard University: https://www.harvard.edu
Stanford University: https://www.stanford.edu
University of Pennsylvania: https://www.upenn.edu

Lighting for corporate stages: looks, plots and client-friendly language – esinev

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